ROMA (2018) - Movie Review
ROMA (2018)
Cleo with her friend running to meet their boyfriends.
Cleo after saving the kids and the family showing the affirmation of their love to Cleo.
Is there a well-knit movie like a classic tapestry hand made
out of wool and silk? Is there a well-crafted movie painted nudging and nudging
over years to become a Salvator mundi? Is there a movie like a classic car made
out by the precise hand work of an iron smith?
We are talking about “Roma” (2018)
– a Spanish movie made by Alfonso Cuaron
“Roma” could fit
in possessing all the qualities of a well-knit movie made since decades. It has
multiple layers of stories and themes carved out like the different details of
a sthoopam, that could stand alone as a different movie experience fulfilling the
structures of a complete cinema. The color which Alfonso use to narrate the
movie is something incredible as it signifies the standalone feature of one of
the layers which contributed its classiness to the movies. Any frame paused
could be read as a beautiful realistic painting with its vastness and abundance
of the details and the natural light cast on to the characters and the objects
on the scene.
The story arc could be divided into different phases, each sections could stand alone as a different movie experience.
We could start with the opening scene of cleaning the tiled floor followed by the introduction of Cleo, Sophia and the Family, Sophia's husbands introduction and his separation, Cleo's love story, the riot scene and the crib shop, hospital delivery room scene, beach trip and cleo saving the kids and the final come back home scene.
We could start with the opening scene of cleaning the tiled floor followed by the introduction of Cleo, Sophia and the Family, Sophia's husbands introduction and his separation, Cleo's love story, the riot scene and the crib shop, hospital delivery room scene, beach trip and cleo saving the kids and the final come back home scene.
Cleo with her friend running to meet their boyfriends.
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